Conceptually, the addition. An inventor and artist in the city of Lörrach. Siegfried Säuberlich

Conceptual Addendum: The Cinematic Myth and the Precursor to “Binary Code”

In the matrix game of our time and space, a countless multitude of amazing coincidences manifest themselves, the nature of which rules out the hypothesis of blind chance. To finally lay bare these hidden mechanisms, the author expands the context of the collection by turning to the phenomena of modern cinema and media mythology.

In 2003, the amazing story of Andrew Carlssin rocked the information space. According to the press, this man, with a starting capital of only $ 800, managed to turn it into an astronomical $ 350 million in two weeks, making 126 unprecedented successful transactions on the stock market. After the inevitable arrest on charges of insider trading, Karlsin made a shocking statement: he claims to be a chrononaut who arrived from the distant year of 2256 and simply had access to accurate historical data on the dynamics of stock prices.

This story, which originally originated as fiction on the pages of the satirical tabloid Weekly World News, was inspired by the cult science fiction universe series “Babylon 5” (Babylon 5), which was released between 1993 and 1998. The internal chronology of this space opera elevates the year 2256 to the rank of the most important historical milestone. It is this date that marks the moment when the long‑suffering Babylon project finally succeeded, revealing to the world the fifth space station — after the previous four had been destroyed or mysteriously vanished into time and space.

This intertextual inclusion in the exhibition structure is deeply intentional. It prepares the viewer’s consciousness for our further immersion in the second fundamental collection — “Binary Code”.

Unlike media myths, the following series of works will rely on irrefutable, real dates and documented historical events, supported by fundamental archaeological excavations. We will prove that the reality around us is not a work of art, but a tangible triumph of the Creator’s matrix code. After all, if great past civilizations had existed outside this digital matrix, they would inevitably have left their mark. But their mark is the code itself…